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Like Nastya

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Co-watching from age 6

Stimulating

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Like Nastya

Like Nastya follows a girl and her dad through pretend-play games at home and around town. The tone is fast and playful, aimed at early school-age children, with imaginative role-play at its heart.

Lots of imaginative pretend play and costume games.
A warm, involved dad who joins every game.
Friendship and making up after squabbles feature often.
Heavy focus on toys, shopping and unboxing.
Fast, busy pacing with constant visual stimulation.
The main child sometimes acts bratty and demanding.

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Score Breakdown

The pacing is consistently fast, with images following each other quickly and little room to pause and take in what is happening. This steady stream of quick cuts and busy activity actively demands attention and can feel intense for children around the recommended age. The visuals themselves stay fairly clean and well organized, and the sound is mostly soft and supportive, though in some episodes it becomes more present and regularly pulls at attention. Overall the experience leans stimulating rather than restful.

Every episode is a chain of unrelated skits rather than one story to follow: a princess party, a lost-cat chase, a mermaid transformation, a toy-store trip, or a Christmas gift pile all sit side by side with abrupt jumps between them. A child cannot carry a thread from one segment to the next, because each block starts a fresh situation with new characters and goals. Within a single segment there is sometimes a rough beginning and end, such as an argument that leads to making up over a perfume, but these moments stay isolated. New objects and actions pile up quickly, and much of what happens works by magic rather than clear cause and effect. The structure asks the viewer to reset again and again instead of staying with one idea.

Emotions run loud and switch quickly, flipping from squealing delight to disgust, crying, or sudden fright with little room to land. Much of the behaviour on screen models demanding, grabbing, and mocking: children shout 'It's mine!' or 'Get out!' over toys, order a parent around, and get their way by whining until a new dress or toy is handed over. There are genuine repair moments, as when friends apologise and make up or a father soothes a night-time fear, and tensions usually resolve somewhere in the episode. Some content adds real fear triggers for this age, such as Halloween imagery with a menacing clown, skeletons, and ghosts. Even so, the frequent flips between excitement and distress and the pattern of fussing being rewarded keep the emotional footing shaky.

Nastya and the other children clearly take initiative, deciding what to play, inventing games, choosing costumes, and driving each activity themselves. What is missing is a visible thinking process: problems are rarely named, worked through, or adjusted after a failed attempt. Most difficulties are solved in a single move, by a wave of a magic wand, by an adult stepping in, or simply by buying and being handed another thing. A child of this age sees plenty of doing but little of the trying, failing, and adjusting they could learn a strategy from and imitate.

The talk leans heavily on short exclamations, with 'Wow', 'Yay', 'Cool', 'Ew', and 'Mine' carrying much of the runtime rather than full sentences. For a six-year-old, who can handle richer sentences and new concepts, there is little description, explanation, or new vocabulary to build on. Because the dialogue is dubbed, some lines land oddly or come across garbled, so the words do not always carry stable meaning. Short teaching moments do surface now and then, naming letters, numbers, or colours or explaining a step, but they are outnumbered by reaction noises. The result gives a child of this age little meaningful language to take away.

Most of what fills the screen is toys, costumes, and shopping rather than activity a child can carry into daily life, and happiness is repeatedly tied to getting new things. The world stays recognisable, a real home, backyard, shop, or doctor, and a handful of moments do connect to everyday routines, such as baking with clear steps, caring for a real cat, getting dressed, tidying up, or playing in the snow. Familiar social situations appear too, like birthdays, family life, and sharing with a friend. But these practical threads are scattered thinly among constant buying, unboxing, and pretend magic, so the genuinely transferable takeaway stays limited.

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Nearly every moment centres on one young blonde girl and a single father figure, who share the same light-skinned look and live in the same spacious, toy-filled home, so the picture of who appears and how people live stays narrow. Other characters rarely appear beyond the background. The girl clearly leads the play and shows real agency, and the father stays warmly involved and takes on cooking and caregiving, so roles are not rigidly fixed. But the activities lean heavily on princess dress-up, makeup, dolls, and pink toys, and the split is sometimes made explicit, as when a toy is passed off with 'this is for boys.' The overall impression is a small, hyper-feminine world with one dominant type on screen and little breadth of background, family form, or interests.

This is live-action play set in real, recognisable places: family homes, backyards, a grooming salon, a toy store, and out in the snow, so most of what a child sees comes straight from everyday life. On top of that runs a thick layer of make-believe, with costume transformations, dresses that appear out of nowhere, a wand that turns dad into a frog, and a bed that glows and 'transports' the girls. There is no villain and no good-versus-bad-guy story; the small hurdles come from ordinary situations like a wrong dress, an empty gift box, or sharing a trampoline. The magic follows no steady rules and can do whatever a moment needs, keeping it loose make-believe rather than a world with its own logic. For a child of this age, who takes princesses, mermaids, and holiday magic in stride, the mix of real settings and playful pretend sits comfortably.

Be honest with yourself: this one is for the kids, and the couch next to them offers you almost nothing. It runs on shrieked catchphrases, near-constant sound effects, dubbed and exaggerated voices, and a hot-pink palette, all cut fast enough to wear on grown-up ears within minutes. There is no real story to follow, just a chain of dress-up skits and toy reveals that repeat the same beat: open a box, squeal, move on. You can see real money in the costumes, props, and locations, but the craft is aimed entirely at holding a young child's attention, and the flat dubbing keeps it feeling uneven. Best treated as something to have on while you get on with something else, volume within reach.

Season 1

7 episodes

Like Nastya

Like Nastya

Nastya's Whirlwind Adventures

recommended age co-watching from 6

A young girl called Stacy and her father move through a series of short adventures over about twenty-four minutes. She sets out for birthday parties, hides a pimple before a date, runs a colour experiment, adopts and shops for a cat, dresses up as Barbie and a princess, and uses a magic wand to transform her father and a cat. Near the end she demands a tablet and orders her father around until he assigns her chores. She apologises with 'I'll never behave like that anymore' and he forgives her.

Like Nastya

Like Nastya

Nastya's Magical Adventures

recommended age co-watching from 6

Across about twenty-four minutes, Nastya and her dad act out a string of pretend-play skits filmed in and around a large house, backyard, toy store and boat. They play a genie granting wishes, chase a lost cat, put on a music show, hunt for pirate treasure, shop for makeup and toys, cross a floor-is-lava game and turn into superheroes. Each segment stands on its own with costume changes and playful effects. The final skit ends with the child choosing to be a princess.

Like Nastya

Like Nastya

Nastya's Enchanting Adventures

recommended age co-watching from 6

A young girl and her father act out a string of separate pretend-play skits, from a camping trip and a magical princess salon to a mermaid transformation, a PAW Patrol style rescue game and a cooking and beauty contest with a friend. The father plays many roles, appearing as a salon owner, magician, chef and news anchor, and costumes and toys appear through bursts of sparkle magic. A mock newscast about 'Kids YouTube' being shut down runs between segments, tying the blocks loosely together. The final contest ends with the two girls deciding that the real prize is friendship.

Like Nastya

Like Nastya

Nastya's Whimsical World

recommended age co-watching from 6

Nastya and her father play through a run of pretend-play skits at home and at a colourful play centre. She acts out a police arrest, dresses up as Frozen's Anna, makes slime, runs a toy-crushing 'experiment' with a ride-on car, and roleplays as a mother feeding a doll baby. Branded toys, costumes and reveals fill nearly every segment, tied together only by the pair's ongoing games. The episode ends on another quick roleplay bit rather than a resolved story.

Like Nastya

Like Nastya

Nastya's Festive Fun

recommended age co-watching from 6

A young girl named Nastya and her father move through a string of festive activities at their home and garden, from a dress-up dance to a foam party. She then tries on Halloween costumes, goes trick-or-treating past skeletons, ghosts and a clown, and eats candy. A costumed doctor removes a splinter from her hand before the episode turns to a store trip and a long stretch of opening surprise toys. It closes with birthday-style surprises and a flamingo balloon reveal.

Like Nastya

Like Nastya

Nastya's Magical Day

recommended age co-watching from 6

Nastya and her friends and father move through a string of short live-action skits in a bright pink house and garden. They fall out over a perfume and make up, play with dolls, a VR headset, giant balloons and slime, act out Frozen and mermaid role-play, run a pretend toy market, and deal with a broken 'magic' bed. The final stretch is a trip through a colourful candy museum full of sweets and neon rooms. Each block ends and a new, unrelated one begins, closing on the children playing among the candy displays.

Like Nastya

Like Nastya

Nastya's Christmas Chronicles

recommended age co-watching from 6

In this Christmas episode, Nastya and Stacy dress as elves, act out a princess game with their dad, and open a long series of toys and gifts at a large decorated house. Between the unwrapping they play in snow, ski and sled, deal with a messy house full of bugs, and taste treats at the tree. The episode moves through several separate holiday activities rather than one story. It ends with the children sent to bed while more gifts are promised.

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