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The Very Small Creatures

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Recommended age Unlock

Co-watching from age 2

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The Very Small Creatures

The Very Small Creatures are small, colourful clay characters who play together among toys in a cozy indoor world. The tone is calm and cheerful, made for toddlers, teaching friendship and curiosity through play.

Wordless play that very young children can easily follow.
Creatures take turns and cheer each other on.
Setbacks are met by calmly resetting and continuing.
A sad friend is comforted and included.
Occasional bright flashes and loud sounds occur.
Autoplay prompts nudge toward the next episode.

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Score Breakdown

The visuals stay calm and uncluttered, with clear, well-organised images that are easy for a young child to take in. The pacing runs fast though, with pictures following each other quickly and leaving little room to pause on what is happening. The sound sits close to continuous and stays intense, so the ears get little rest even when the screen feels orderly. Most episodes land in a comfortable balance for two-year-olds, with the hurdle-jumping episode tipping toward the more stimulating end.

Every episode follows a single, easy thread, with new things arriving one at a time so a toddler is never asked to track several events at once. Each action leads to a clear, predictable result, a creature squeezing through a shape or a push that sends something rolling, which keeps cause and effect simple to read. Most episodes have a loose, vignette feel, so the beginning, middle and end are lightly drawn rather than tightly plotted. The 'Treasure Hunt' episode is the clearest exception, with clues numbered one, two and three that give events a recognisable order from start to finish.

The emotional tone stays warm and even, with the creatures playing alongside each other kindly and reacting with friendly sounds. There is no mocking, whining or unkindness anywhere, so the emotional world feels predictable and safe. Small bursts of feeling, a triumphant 'Yay!' or the shock of a sour taste, settle straight back into calm rather than spiking. In livelier episodes like 'Rolling' the excitement bounces up and down more often, and 'Sweet and Sour' shifts between surprise and delight a little abruptly, worth knowing for the most sensitive viewers.

The creatures drive their own play and set their own small challenges, choosing to taste a new food, pick up a microphone or follow a map without being told, which gives a genuine sense of initiative. The problem-solving itself stays shallow though, with most attempts succeeding in one go and little visible trying, failing and adjusting. Cause and effect is shown clearly, a push makes something roll, but the thinking behind each success is felt more than worked through step by step. 'Treasure Hunt' goes furthest, with a simple find-clue-one-then-two-then-three structure, while elsewhere the light trial is enough for the very youngest watchers and leaves little for older toddlers to puzzle over.

The episodes are almost entirely wordless, with the creatures communicating in babble, squeaks and exclamations like 'Yay!', 'Wow!' and 'Go go go!'. Only a handful of clear words surface, such as 'yum', 'look' or 'Thanks Mommy', and complete sentences are rare. Most of what is said carries feeling and energy rather than naming, explaining or describing, so there is very little spoken language for a child to copy or build on. Meaning comes through gesture, tone and pictures instead of words.

The play sits on recognisable ground: a shape-sorter toy, crayons and blocks, a toy farm, food shared at a table or a hand-drawn treasure map, all things a child could copy at home. The social side is the strongest thread, with turn-taking, sharing food and small family moments that mirror real play between children. The limitation is that the main characters are abstract clay creatures who move and feel on their own, which is pure make-believe rather than something transferable, and a fair amount of the action is decorative play without a clear purpose. The real-world footing is partial rather than strong.

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The cast is made up entirely of small, colourful clay and felt creatures, with no human characters anywhere, so the everyday markers of human diversity, different backgrounds, family forms, ages and gender, are not part of the picture. Variety comes down mainly to the creatures' colours and sizes, with a parent-and-baby dynamic appearing in some episodes. What the creatures do offer is a world of equals: they share every activity on the same footing, with no leader, no fixed roles and no behaviour tied to a particular type. The result is free of stereotype, but it gives children little recognisable reflection of the different people around them.

The creatures play in fully recognisable settings, a home floor by the sofa, a toy farm, a playroom, doing everyday things like sorting shapes, tasting food, jumping a hurdle course or following a treasure map. There is no villain anywhere and no hero-versus-villain story; the gentle ups and downs come from the play itself, like a quick 'uh-oh' tumble or a surprising sour bite. The only imagined element is the creatures themselves, who behave consistently and never break the world's simple logic. For the youngest viewers this light touch of make-believe wrapped around familiar moments fits comfortably.

Settle in next to your child for this one and you will be a quiet observer, not an entertained co-viewer. The craft is genuinely good, with soft colours, warm tactile figures and a calm sound mix that rarely grates, so it is easy to have on in the room. What it will not hand you is a story to follow or a joke to catch, since everything stays pitched squarely at the youngest watchers. The squeaky voices and looping tunes can wear a little thin if you are really paying attention, so think of this as your child's window rather than yours.

Season 2

7 episodes

The Very Small Creatures

The Very Small Creatures

Squeeze

recommended age co-watching from 2

Small, rounded clay-like creatures in yellow, green, blue and pink play together on a warm wooden floor in front of a chalkboard covered in shape doodles. They find a shape-sorter box and spend the episode squeezing their soft bodies through its star, circle and other cut-out holes, nudging pegs and reacting with bright sounds. There is no spoken story; the action is carried by soft sound effects and exclamations like 'Yay!' and 'Whee!'. The episode closes on the creatures still at their play.

The Very Small Creatures

The Very Small Creatures

Hurdles

recommended age co-watching from 2

Small, brightly colored clay creatures gather in a warm playroom and build a little hurdle course from crayons balanced on wooden blocks. One by one they take turns going over the hurdles while the others watch and cheer them on. When a crayon is knocked loose the group simply resets and keeps playing. The episode ends with the creatures celebrating together, followed by the closing credits.

The Very Small Creatures

The Very Small Creatures

Sweet and Sour

recommended age co-watching from 2

A group of small clay creatures gathers around a table covered with food. One by one they taste different items, lighting up at the sweet flavours and pulling faces at the sour ones, all conveyed through expressive sounds rather than words. Their tasting turns into play, and the episode ends with the creatures chasing a ball.

The Very Small Creatures

The Very Small Creatures

The Farm

recommended age co-watching from 2

Small colourful clay creatures play inside a toy farm set up on a wooden floor, with a blue toy tractor, fences, toy trees and figures of a penguin and a cow. One creature drives the tractor with a trailer of carrots while the others explore the props. The episode moves into a feeding scene where a glum creature is coaxed and fed with 'Mama, eat' before everyone tucks in to happy 'Yum' sounds. It closes on a Sky Kids bumper with a 'Next Up' autoplay thumbnail.

The Very Small Creatures

The Very Small Creatures

Popstars

recommended age co-watching from 2

Small, brightly colored clay creatures live among a child's toys on a wooden playroom floor. In this episode they discover a toy microphone and dress up with feathers, pipe cleaners, and a furry hood to put on a popstar show. They take turns at the mic, babbling and performing together as a group. The episode ends on their playful performance, with no dialogue-driven plot to resolve.

The Very Small Creatures

The Very Small Creatures

Rolling

recommended age co-watching from 2

Small, brightly coloured creatures play together across a garden and a simple home, with the episode built around rolling and tumbling objects. They cheer each other on, celebrate small successes and share warm moments with a parent and a baby creature. Communication happens almost entirely through invented sounds, exclamations and a few simple phrases. The episode closes on a final burst of play and a closing title card.

The Very Small Creatures

The Very Small Creatures

Treasure Hunt

recommended age co-watching from 2

In a child's playroom, the small clay creatures discover a crayon treasure map and set off to follow it. Guided by clues numbered one, two and three, they search among the building blocks, toys and crayons. The trail leads them to a wooden toy rainbow, where the treasure is waiting. They gather and celebrate the find together.

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