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Call me please!

Mediocre

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Co-watching from age 4

Stimulating

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Masha and the Bear: Call me please! | Mediocre, co-watching from age 4

Masha and the Bear: Call me please! | Mediocre, co-watching from age 4 - Slowscreen

Mediocre · Co-watching from age 4. Masha takes the Bear's old mobile phone and heads into the forest to make calls while he tries to enjoy a football match and...

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https://slowscreen.com/en/series/masha-en-de-beer/s1/e8-call-me-please

https://slowscreen.com/en/series/masha-en-de-beer/s1/e8-call-me-please

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Masha and the Bear: Call me please! | Mediocre, co-watching from age 4 - Slowscreen

Mediocre · Co-watching from age 4. Masha takes the Bear's old mobile phone and heads into the forest to make calls while he tries to enjoy a football match and...

Masha and the Bear: Call me please! | Mediocre, co-watching from age 4
Masha and the Bear: Call me please! | Mediocre, co-watching from age 4

slowscreen.com

Masha and the Bear: Call me please! | Mediocre, co-watching from age 4 - Slowscreen

Mediocre · Co-watching from age 4. Masha takes the Bear's old mobile phone and heads into the forest to make calls while he tries to enjoy a football match and...

Masha and the Bear: Call me please! | Mediocre, co-watching from age 4
slowscreen.com

Masha and the Bear: Call me please! | Mediocre, co-watching from age 4 - Slowscreen

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Masha and the Bear: Call me please! | Mediocre, co-watching from age 4 - Slowscreen

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Subject Masha and the Bear: Call me please! | Mediocre, co-watching from age 4

Mediocre · Co-watching from age 4. Masha takes the Bear's old mobile phone and heads into the forest to make calls while he tries to enjoy a football match and...

https://slowscreen.com/en/series/masha-en-de-beer/s1/e8-call-me-please

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This program is stimulating. It actively demands attention and can feel intense. For the recommended age, this may be on the more intense side. The pacing is fast. Images follow each other quickly, leaving little time to pause and take in what is happening. The sound is clearly present and regularly draws attention. The visuals are well-balanced, with a clear overall view.
The episode holds together around one idea, Masha wanting the phone while the Bear tries to relax, but it splits attention between his television watching and her wandering off to make calls. Events mostly follow one another with visible cause and effect, so when Masha presses a button the phone reacts and when she strays too far the wolf turns up. The limitation is that the story is built from a chain of loosely linked comedy gags, and the jumps between the Bear's house, the broadcast within the story and the forest can feel disconnected rather than clearly sequenced. A child can follow the gist, but the thread is looser than a single tidy plot.
The overall mood stays light, and tense beats such as the wolf appearing on the forest path are short and comedic rather than genuinely frightening, usually easing off in the following moments. What holds this back is the interaction style: Masha pesters persistently to get the phone and the Bear is repeatedly cast as the exasperated figure whose peace is ruined for laughs. The emotional swings between his frustration and her glee come in quick succession, and there is little warm repair between the two after the mischief. It is playful, but not especially reassuring or attuned.
Masha drives nearly everything herself, grabbing the phone, heading into the forest and deciding to call numbers entirely on her own initiative. Where it falls short is the thinking behind those actions, which stays at the level of impulse and slapstick rather than a visible plan with tries, setbacks and adjustments. Her 'solutions' tend to be single comedic moves that get interrupted rather than worked through in recognisable steps. There is cause and effect on screen, but not much modelling of how to reason toward a goal.
Language quality is uneven for this age. The television broadcast inside the story leans on adult register, with a health segment about 'stress' and 'ontspanningstechnieken' ('relaxation techniques') and phrases like 'adem diep door je neus' ('breathe in deeply through your nose') that sit above a four-year-old's everyday vocabulary. Masha herself speaks in short bursts and exclamations, and long central stretches carry only music and sound effects with no dialogue at all. Words are used correctly when they appear, but the mix of grown-up commentary and near-wordless action limits how much clear, age-matched talk a child actually receives.
There are real-world hooks here, most clearly the relaxation demonstration with slow breathing, a warm bath and herbal tea, plus the everyday idea of making a phone call. Against that, much of the runtime is fantasy slapstick built on talking animals, a bear watching football and a wolf on the path, so a lot of the action cannot be carried over into a child's own day. The recognisable social core, a child wanting attention and a caregiver wanting quiet, is relatable, but the practical, imitable content is thin next to the comedy. For this age the fantasy is acceptable, yet the transfer to offline life stays modest.

More information

This score shows how inclusively the series portrays diverse people, families and cultures. Scale: Limited → Varied → Rich → Inclusive.
The world here is a single forest home shared by one small girl, Masha, and a brown bear, with a few other animals passing through: two grey wolves, a hare and a squirrel. No other people appear, so there is no range of families, ages, backgrounds or ways of living to see. Within that small cast the behaviour is fairly free: Masha drives almost every scene with her curiosity and energy while the bear keeps house and garden, and initiative is not tied to any one type. The narrowness of the picture comes from how few characters there are, not from a rigid split of who gets to do what.
This score shows whether the series stays close to everyday reality or leans into fantasy. Scale: Fantasy → Mixed reality → Realistic.
This episode sits in a recognizable everyday world of a forest cottage, a television broadcasting a soccer match, a landline telephone and a mobile phone that Masha keeps trying to use. The people are animals living human lives, most of all the bear, and a grey wolf provides a recurring chase through the trees that stays comedic rather than menacing. The imagined side stays internally consistent, with the animals behaving like people from start to finish and no magic to break the logic. The realism-and-fantasy mix lands comfortably for a preschool child, with only the wolf chase adding a brief note of tension.
This score shows how enjoyable the series is for parents watching along. Scale: Tedious → Tolerable → Pleasant → Enjoyable.
This episode gives a watching adult more than most preschool fare. It opens with a mock sports broadcast and a straight-faced stress-relief health segment, both pitched squarely at grown-ups, and builds a genuine running gag around the Bear trying to watch the game while Masha keeps phoning him. The story holds together and moves, the animation is polished and cinematic, and the palette stays in warm natural forest tones. The main cost for a parent is Masha's relentless energy and high, insistent voice, which wear over time, but overall it is an easy room to sit in.

Themes

Mischief

Central

Masha takes the Bear's phone and roams the forest making calls while he tries to watch football, driving the whole episode.

Ending screen time

Recurring

The Bear settles in front of the television for a football match and Masha fixates on the mobile phone throughout.

Pretend play

Recurring

Masha mimics grown-up phone calls and later dresses as a detective with a magnifying glass in the closing segment.

Animals

Recurring

The story unfolds among forest animals including the Bear, a grey wolf on the path and a white hare that follows Masha.

Slapstick

Recurring

Repeated physical gags of the Bear tumbling and scrambling as Masha disrupts his quiet afternoon.

Everyday life

Incidental

Ordinary moments like watching TV, taking a warm bath and making a phone call frame the comedy.

Attention hooks

After the credits Masha searches a mock 'Animatie' screen for 'Masha en de Beer' and tells the child 'Vooruit, probeer zelf maar' ('Go on, try it yourself').

Danger

A large grey wolf corners Masha on the forest path, creating a brief moment of threat before it passes.

Mild violence

The Bear repeatedly tumbles and scrambles in physical comedy as his quiet time is ruined.

Screen use

The episode centres on a phone and a television, and the ending normalises a child searching a video app alone.

Stereotypes

Incompetent authority

Masha is the chaos-causing child while the Bear is cast as the frustrated adult whose peace she wrecks for laughs.

Masha takes the Bear's old mobile phone and heads into the forest to make calls while he tries to enjoy a football match and a relaxation show on television. Her wandering leads to comic run-ins, including a tense pause when a grey wolf blocks her path, and the Bear repeatedly scrambles as his quiet afternoon falls apart. The action plays out in the Bear's trophy-filled house and along sunny forest trails. After the story the credits roll, then a bonus segment shows Masha as a detective searching a video screen and inviting the viewer to look up more episodes.

Season 1

8 episodes

Masha and the Bear - Little Red Riding Hood

Masha and the Bear - Little Red Riding Hood

Little Red Riding Hood

Balanced
recommended age Unlock co-watching from 4

A narrator retells Little Red Riding Hood, folded together with the gingerbread ball tale, as one of Masha's stories. Red Riding Hood sets off through the forest to her sick grandmother, meets a talking gingerbread, and runs into the big bad wolf, who eats the grandmother, the girl and the gingerbread in turn. The wolf's overstuffed belly then bursts and everyone jumps out safely, while the gingerbread rolls off and is finally eaten by a fox. The narrator ends with lessons about not telling strangers where you are going and visiting your family more often.

Masha and the Bear - The Wolf and the Seven Little Kids

Masha and the Bear - The Wolf and the Seven Little Kids

The Wolf and the Seven Little Kids

Stimulating
recommended age Unlock co-watching from 4

In her own room, Masha tells her toys the fairy tale of the wolf and the seven little goats. A mother goat leaves for the shop and warns her kids not to open the door for strangers, but the Big Bad Wolf disguises his voice, tricks his way in and swallows six of them while the youngest hides in the oven. When the mother returns she lights the oven, burns the wolf's tail and sends him fleeing into the woods, and the kids tell her what happened. The episode ends with Masha searching a video screen for another cartoon.

Masha and the Bear
S01 E01

Masha and the Bear

How They Met

Stimulating
recommended age Unlock co-watching from 4

A small girl named Masha lives near a railway and chases the farm animals until they hide from her, so she wanders into the forest. She finds a tidy wooden house belonging to a bear and turns it upside down while he is out fishing. When the bear returns and discovers the chaos, he tries to chase her off, but then worries about her being alone in the woods and goes searching with a lantern. He finds her back inside his house, asleep, and lets her stay.

Masha and the Bear
S01 E02

Masha and the Bear

Don't Wake Till Spring!

Stimulating
recommended age Unlock co-watching from 4

Autumn arrives and the Bear prepares his cabin for hibernation, settling into bed for a long sleep. Masha discovers he is shutting himself away and keeps finding her way back inside, bouncing on the bed and accidentally knocking over a row of beehives that send a swarm chasing them. To calm her down the Bear cooks a pot of porridge and feeds her at the table. The episode closes with Masha falling asleep mid-spoonful, the Bear carrying her to bed and the camera resting on the moonlit forest where a deer watches from outside the window.

Masha and the Bear
S01 E03

Masha and the Bear

One, Two, Three! Light the Christmas Tree!

Stimulating
recommended age Unlock co-watching from 4

Masha and the Bear prepare for Christmas in the Bear's cozy forest home, decorating a tree while Masha turns everything into chaos. The story moves outdoors into the snowy woods, where Santa travels on rail-carts and delivers gifts to the forest animals on his list. Back home, Santa lights the tree with his magic staff. The episode ends with the tree glowing and fireworks over the village.

Masha and the Bear
S01 E07

Masha and the Bear

Prances with Wolves

Stimulating
recommended age Unlock co-watching from 4

In a Russian forest, the energetic girl Masha discovers an old ambulance where two wolves live, while the wolves scheme to trade her to the brown bear for a barrel of honey. Masha turns the ambulance into a doctor's office and insists on treating the wolves, chasing them with checkups and pretend medicine until they flee. The comedy plays out mostly through fast action and sound effects rather than dialogue. By the end the wolves' plan falls apart and Masha carries honey to the bear.

Masha and the Bear
S01 E08

Masha and the Bear

Call me please!

Stimulating
recommended age Unlock co-watching from 4

Masha takes the Bear's old mobile phone and heads into the forest to make calls while he tries to enjoy a football match and a relaxation show on television. Her wandering leads to comic run-ins, including a tense pause when a grey wolf blocks her path, and the Bear repeatedly scrambles as his quiet afternoon falls apart. The action plays out in the Bear's trophy-filled house and along sunny forest trails. After the story the credits roll, then a bonus segment shows Masha as a detective searching a video screen and inviting the viewer to look up more episodes.

Masha and the Bear
S01 E14

Masha and the Bear

Watch Out!

Stimulating
recommended age Unlock co-watching from 4

In a snowy forest, the lively girl Masha gets hold of Bear's first-aid kit and then his red snowmobile, setting off a runaway ride full of crashes, near-misses and a pack of wolves. Bear is dragged into the chaos and spends the episode reacting to and cleaning up after her. In the end the pair make it home, and Masha admits her mistake, saying she will never do it again and accepting a spell in the corner. The closing scene has Masha dressed as a detective, using a tablet to search for cartoons and telling viewers to try it themselves.

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